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Hope 1930
In the complexity of his artistic means - painting, drawing, collage, installation, sculpture, video, book, object - Andy Hope subverts categorizations of form and content in 1930. Hope develops a complex iconography, designs fictional worlds that move between the ruins of history and fantastic visions of the future, and creates, as he himself describes, a "labyrinthine infinity." His references include the history of modernism, especially Suprematism, the astrophysics and philosophy of the time, and popular cultural sources, including classic Hollywood cinema of the 1930s, B-movies, and the entire science fiction genre in comics and film. For Nymphenburg, Andy Hope developed the character of Robin Dostoyevsky in 1930 as a youthful hero, oscillating between man and woman, hero and assistant, good and evil.
Porzellan Manufaktur nymphenburg
Nymphenburg ist die letzte Reinstmanufaktur ihrer Art. Seit der Gründung im Jahre 1747 wird in der Manufaktur des Bayerischen Königshauses die hohe Kunst der Porzellanherstellung gepflegt. Manu factum bedeutet dort bis zum heutigen Tage: komplett von Hand gemacht in Techniken, die von Generation zu Generation weitergegeben und bewahrt werden.
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